Epiphone Les Paul Black Beauty 3 ** SOLD **
**** guitar was sold !****
Hey is all this to me a little while? Advertising on my guitar. ? Berpr you Fen my Myspace: www. myspace. com / theovannielmusic infl sse: Jeff Beck, Guthrie Govan, Frank Gambale, Blues Saraceno, Richie Kotzen, Al Di Meola, Carl Verheyen, Michael Lee Firkins, Andy Timmons, John McLaughlin, Frank Zappa, Allan Holdsworth, Vernon Reid, Todd Rundgren , Randy Rhoads, Peter Green, Eric Clapton, Yngwie Malmsteen, Joe Pass, Rick Derringer, Scott Henderson, Paul Gilbert, Eelco Gelling, Andy Summers (Police area), Jimi Hendrix, Buckethead, Ron Thal, Billy Sheehan, Jan Akkerman, Tommy Bolin, Marc Bolan, David Bowie and Mick Ronson, Johnny Winter, Jimmy Page, Joe Walsh, Eric Johnson, Eric Gales, Joe Bonamassa, Bill Connors, and more. .
Played by Kali Music Type 3 amplifier and an 8 ohm Celestion Greenback. Mic'd hang with the SM57 down in front of the speaker. Especially in the amp - no pedals, etc. The type 3 is two 12AX7 gain stages in a 12AX7 Cathode Follower with a VOX tone stack (treble & bass), a long tail phase inverter (Schmitt). The output is two EL34 cathode biased Class A switchable pentode / triode switchable to single-ended Class A. The amplifier in single-ended mode for this shot. Also has the typical VOX "Cut to control."
1991 Gibson Les Paul Custom "Black Beauty," a part of Fender Vibrolux Reverb Okko Diablo overdrive 1966 more more Amp Boss RC-2 Looper www. . Hilden gregor of
Here is a great condition 1956 Gibson Les Paul Custom (Black Beauty), which I soon post for sale on eBay. It is not perfect, as it got played, but it is cleaner than I have ever seen for one of these. Note the California "Cal" Girl pink lined case in the background. From the collecting what I gave it less than 500 of these made this year and made a total of less than 1000, this model is always between the prototypes in the 1953 last until end 1956 (in order Humbucker in 1957). Send me a message link (through my channel page ... click on my name or avatar) if you are interested. Most of this demo was played with on the "Burn" channel of my amp Fender Super Sonic and I vary the amount of gain (distortion) by using the amp settings. . . I start with everything set to 5 everthing (except the volume that was three, say) and then increase as the video goes on and also "play" dynamic (beat how hard I'm the strings) and with the volume and tone control on the guitar. . . if I "Treble" position, I think "bridge," and when I say "bass" position, I say my "neck". I play it clean at the very end, that are also evident. . . This guitar is awesome! Iselle much used guitars and basses (both here and on eBay ... same name ... are 100% positive reviews) and I am is a distributor for Thomastik-Infeld Mbrace and strings. Let me know if there something you want or contact me if you are interested. . . Use the link will send a message on my channel page. Also. . . Guitars Wanted as . . . B>
1991 Gibson Les Paul Custom "Black Beauty" Fender Vibrolux Reverb Amp Clean Plus 1966 more Boss RC-2 Looper www. . Hilden gregor of
1991 Gibson Les Paul Custom Black Beauty Reissue more Elmwood Modena M-60 Amp Vox recent 2 x 12 cab with Blue Bulldogs Nova Reverb plus CT www. . Hilden gregor of
www. frettedamericana. com This medium-weight Les Paul Custom 10th 70 lbs. and has a solid mahogany body with a slightly arched ceiling. One piece mahogany neck with a nice medium profile, a comfortable saddle width from just a 11/16inches and a standard Gibson scale length 24 3 / 4 inches. Ebony fretboard with 22 frets and original thin inlaid Pearl block position markers. The top of the guitar has seven-binding, the back of the guitar five-Binding has the headstock Five-Binding and the fingerboard has single white binding. Headstock with inlaid pearl "Gibson" logo, and five pieces of pearl split-diamond inlay. Two-layer (black and white) truss rod cover with "Les Paul Custom" engraved in white. Individual Serial Grover Roto-matic tuners with metal buttons Crescent. The serial number (010 513) is colored in yellow on the back of the headstock. Three really hot PAF (double-Black) Humbucker with very strong performances from 8 16k, 8 14k, and 7 76k. Five-layer (black / white / black / white / black) plastic pickguard. Four controls (in two volumes, two-tone) to lower altitudes bout bout plus three-way selector switch on upper bass. Black plastic bell-shaped "Bell" knob. ABR-1 Tune-O-Matic bridge, non-holder with metal calipers and separate stud tailpiece. All hardware gold plated. The potentiometers are all stamped "134 6043" (Centralab October 1960). There are some very light belt buckle scratches on the back of the guitar (nothing except the wood), a small piece of authentic . . . B>